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Everyday People

Society of Labyrinthian Anarchaeology (DK)
A situationalist walk through places and non-places

We have to change our form of life. Man used to be in an ecstatic contact with cosmos. The city is a motherboard of connections. This forgotten connection can only be reestablished communally.
We have to change our form of life. Together we walk the dead circuitry of the city. We report from a non-time and a non-place. Through ritual we discover hidden vantage points to its intoxications. The forgotten magical relationship between the ancients and the cosmos.
We have to change our form of life.

Everyday People is part of ‘b y p a s s‘ at the PASSAGE Festival. A platform where selected artists are given the opportunity to experiment with formats for art in the public space.

AGE: From 13 years
DURATION: 90 min.

TIME + LOCATION
Thursday 30 July
Friday 31 July
Saturday 01 August
A situationalist walk through places and non-places

We have to change our form of life. Man used to be in an ecstatic contact with cosmos. The city is a motherboard of connections. This forgotten connection can only be reestablished communally.
We have to change our form of life. Together we walk the dead circuitry of the city. We report from a non-time and a non-place. Through ritual we discover hidden vantage points to its intoxications. The forgotten magical relationship between the ancients and the cosmos.
We have to change our form of life.

Everyday People is part of ‘b y p a s s‘ at the PASSAGE Festival. A platform where selected artists are given the opportunity to experiment with formats for art in the public space.

AGE: From 13 years
DURATION: 90 min.

TICKET PERFORMANCE

Tickets: 50 kr.

Click the TICKET icon to the right: next to TID + STED

The performance is not suitable for audience with walking disabilities.
The performance will be postponed or cancelled in case of heavy rain.

About the company

Recording always presuppose a playback, playback is always a repetition, we are played back, repeatedly by an almighty algorithm. What is more alchemistic than turning the algorithm into gold. The magician gets his power over nature, the animal and the people by commanding. The algorithm commands us and by that logic we command ourselves to obey.

CREDITS
WITH & BY: Andrius Kisbye Hofmann-Lagunavicius + Anders Anton Hornstrup + Tomas Lagunavicius

About the situationist international

Situationist International was a radical avant-garde movement that existed from 1957-1961. At the center of the movement was a break with the function of art as a commodity and the artist as an artist.

The situationists poised radical questions toward what art can do. They tried to develop a radical criticism not only of society, but also of the artist himself; to dissolve the artist. Instead, creativity should be used to rethink everyday life, constructing moments of life deliberately for the purpose of reawakening, pursuing authentic desires, and the liberation of everyday life.

The central voice was the French film artist and theorist Guy Debord. The best known Danish members today were Asger Jorn, Jørgen Nash, J.V. Martin and Peter Laugesen.